Backseat Mafia
Pages
  • About / Contact
  • Donate!
  • Droppin’ Knowledge
  • Electronic
  • Features
  • Film
  • Folk / Country
  • Funk / Soul
  • Hip-Hop
  • Home
  • Homepage
  • Homepage
  • House / Techno
  • Indie
  • Interview
  • Jazz
  • Labels
  • Live
  • Mixes / Sessions
  • Music
  • Playlists
  • Psych
  • Punk / Post Punk
  • Reggae / Ska
  • Resident DJ: BarrCode
  • Resident DJ: Durrans
  • Resident DJ: John Parry / House at the foot of the mountain
  • Resident DJ: tsuniman
  • Rewind
  • Rock / Metal
  • Slider News
0
0 Followers
0
  • About / Contact
Subscribe
Backseat Mafia
Backseat Mafia
  • News
  • Premiere
  • Track / Video
  • Album Reviews
  • Live Review
  • Interview
  • Donate!
  • About / Contact
  • Album Reviews
  • Music
  • News

News: The Cult – Celebrate 30 Years Since the Release of Sonic Temple

  • July 2, 2019
  • Arun Kendall
Total
0
Shares
0
0
0

Two years before the 1989 release of ‘Sonic Temple’, The Cult shocked many of their goth-tinged indie followers with the release of ‘Electric’, a hard rock-infused blast of an album that subverted many of the indie rock tropes. Introducing distorted riffs, wild guitar solos and posturing more befitting a heavy metal devil-worshiping rock band, this was quite a change of direction.

There are, to this day, many discussions about whether this was self-mockingly ironic tongue-in-cheek posturing or a genuine shift in musical direction, but it caught many – including myself – by complete surprise given their previous hit was ‘She Sells Sanctuary’ – a psych pop jangly masterpiece. The real element of surprise was for me, to be honest, how much I loved this new direction despite my previously held resolute antipathy to anything that resembled posturing heavy metal. And the band were clearly enjoying themselves.

‘Sonic Temple’ proved that ‘Electric’ was not a temporary diversion. In this album, The Cult firmly consolidate their harder edge, keeping former indie fans and reaching out to a whole new audience. While some of the excesses of ‘Electric’ were dialed down to some extent (indeed, surely nothing could ever match the outrageous but satisfactory buffoonery of ‘Love Removal Machine’), ‘Sonic Temple’ continued to combine an indie sensibility with an hard rock edge within what were brilliant anthemic stadium roof-raising songs just built for the larger than life core of the band, singer Ian Astbury and guitarist Billy Duffy.

The success of the four singles released off the album – ‘Fire Woman’, ‘Sun King’. ‘Edie (Ciao Baby)’ and ‘Sweet Soul Sister’ – resulted the ultimate peak of The Cult’s global success, reaching top 10 in the UK (3)and US (10), their best selling album ever.

To celebrate the 30th anniversary of this brilliant album, The Cult is releasing an absolute treasure trove of Sonic Temple goodies – entitled The Cult: Sonic Temple 30 on 13 September 2019 and going on tour in the UK.

UK October Dates

Tue 15th         Nottingham, UK –  Rock City

Thu 17th          Birmingham, UK – O2 Academy

Fri 18th            Cardiff, Wales – Cardiff University

Sun 20th         Leeds, UK – O2 Academy

Mon 21st        Aberdeen, Scotland – The Music Hall

Tue 22nd        Glasgow, Scotland – O2 Academy

Thu 24th          Manchester, UK – Apollo

Sun 27th         London, UK – Eventim Apollo

Mon 28th       Bristol, UK – O2 Academy

Tue 29th         Portsmouth, UK – Guildhall

The BOX SET contains three pieces of vinyl and a cassette plus tour memorabilia and ephemera (replica of original laminate, backstage pass, original press releases, label copy and more). It’s numbered and limited to 3000 pieces worldwide and contains 40 tracks, four of which are previously unreleased. LP1+2 contain the album as originally released. LP3 contains Live At Wembley recorded by the BBC, and the included cassette contains limited-release demos. Four of the live tracks are previously unreleased.

The FIVE-CD SET contains 53 tracks (including 6 previously unreleased) with the original album on disc 1, alternate edits, mixes, extended versions and acoustic versions on disc 2, limited-release demos on discs 3 & 4 and Live at Wembley recorded by the BBC on disc 5. Six of the live tracks are previously unreleased. It is beautifully packaged in book form with rare photographs and interviews with the band by esteemed UK journalist James Brown.

The DOUBLE LP is a revamped reissue of the original album. Now cut onto two pieces of black vinyl, the audio is improved and contains 16 tracks total, which comprise the original album plus 6 B-sides. It’s been out of print for over 20 years.

The DIGITAL version will replicate the CD-set but excludes the original album for a total of 43 tracks.

Full details of merchandise and tour tickets can be found here.

Share this:

  • Tweet
  • Share on Reddit (Opens in new window) Reddit
  • Share on WhatsApp (Opens in new window) WhatsApp
  • Share on Tumblr
  • Email a link to a friend (Opens in new window) Email

Like this:

Like Loading…

Related

Total
0
Shares
Share 0
Tweet 0
Pin it 0
Related Topics
  • goth
  • Hard Rock
  • The Cult
Arun Kendall

Writer/ Senior Editor for Backseat Mafia (UK) and Backseat Downunder (Australia and New Zealand). Singer/guitarist/songwriter with Australian band The Hadron Colliders.

Previous Article
  • Music
  • Track / Video

EP: Egyptian Blue – Collateral Damage

  • July 2, 2019
  • Staff Writers
View Post
Next Article
  • Film
  • FIlm Review

Film Review: Never Look Away

  • July 3, 2019
  • Rob Aldam
View Post
You May Also Like
DYLAN
View Post
  • Backseat Downunder
  • Music
  • News

News: Dylan announces intimate Australian headline shows for May 2027

  • Deb Pelser
  • November 12, 2026
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Lutruwita/Tasmania’s EWAH & The Vision of Paradise link up with Truwulway woman and multidisciplinary artist DENNI on ‘White Ghosts’, the first track from a forthcoming album ‘Belief System’.

  • Arun Kendall
  • November 12, 2026
Playlunch
View Post
  • Backseat Downunder
  • Music
  • News
  • Track / Video

Track: Playlunch channel NSYNC and suburban Australia on new track ‘3310’

  • Deb Pelser
  • November 12, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Babyshambles Live At KOKO

  • Huw Williams
  • November 12, 2026
View Post
  • Gallery
  • Live Review
  • Music

Live Review: Wasia Project: Leeds Beckett SU 07.11.26

  • Huw Williams
  • November 12, 2026
Death Cab For Cutie
View Post
  • Backseat Downunder
  • Gallery
  • Live Review
  • Music
  • News

Live Gallery: Death Cab for Cutie return to Sydney’s Hordern Pavilion after seven years 12.11.2026

  • Deb Pelser
  • November 12, 2026
View Post
  • Album Reviews

Album Review: Mi Von Ahn – Delta Veins

  • Simon Lucas-Hughes
  • November 12, 2026
View Post
  • Album Reviews
  • Music
  • News

Album Review: Bilal Nasser – ‘Every Martyr Is A Universe’: A heart-wrenching post rock/post classical work which asks the deepest questions.

  • John Parry
  • November 12, 2026
MARCO ANASTASIO
View Post
  • Backseat Downunder
  • Music
  • News
  • Premiere

Premiere: Marco Anastasio makes a moving debut with ‘From U (For U)’

  • Deb Pelser
  • November 12, 2026
Charlotte Plank
View Post
  • Backseat Downunder
  • Music
  • News

News: Charlotte Plank reveals two exclusive Australian club shows for January 2027

  • Deb Pelser
  • November 12, 2026

Leave a Reply Cancel reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Popular
  • Live Gallery: Foo Fighters play Accor Arena as a poignant connection to Beaconsfield comes back into focus 10.11.2026
    Live Gallery: Foo Fighters play Accor Arena as a poignant connection to Beaconsfield comes back into focus 10.11.2026
  • News: YOASOBI announce first Australian arena shows for March 2027
    News: YOASOBI announce first Australian arena shows for March 2027
  • News: Metric, Broken Social Scene and Stars join forces for massive Australian tour in 2027
    News: Metric, Broken Social Scene and Stars join forces for massive Australian tour in 2027
  • Live Gallery: Death Cab for Cutie return to Sydney's Hordern Pavilion after seven years 12.11.2026
    Live Gallery: Death Cab for Cutie return to Sydney's Hordern Pavilion after seven years 12.11.2026
  • Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
    Album Review: Nothing is missing from The Church’s sparkling magnum opus ‘Lacuna’.
My Tweets
Social
Social
Backseat Mafia
The best in new and forgotten music

Website by Chris&Co.

Input your search keywords and press Enter.

Loading Comments...
%d