album review
Album review: Neil Cowley – ‘Hall Of Mirrors’: A love letter to a city and an instrument
Neil Cowley has been on a journey away from, and returning to, the piano; Hall Of Mirrors is a striking love letter to the instrument, and also to his adopted city of Berlin. But all these conceptual asides fade away beneath the main thrust: it’s a truly bloody great record. Buy.
Album review: Rutger Hoedemaekers – ‘The Age Of Oddities’: a breathtaking, humanistic debut for 130701
Stirring, seeking, wide-spectrum emotional,The Age Of Oddities is a stunning debut and part-tribute to Jóhann Jóhannsson from a friend and collaborator; 130701 has the golden touch at present
Album Review: Jessica’s ‘The Space Between’ is an immersive masterpiece of haunting dream pop
Backseat Mafia had the pleasure of premiering the track ‘Silence’ from Sydney artist Jessica last week which lead inexorably to listening to the source album ‘The Space Between’. And what a completely immersive and enthralling journey this album is. ‘The Space Between’ as a whole is impossibly beautiful – quiet, reflecting vignettes filled with a …
Album Review: Randolph’s Leap – Spirit Level
Spirit Level is the new album from Scottish folk-pop collective Randolph’s Leap. The titular ‘spirit level’ is a steady reference point over what had been an unsettled spell writing the album, with Adam Ross uprooting from a decade in Glasgow to a tauntingly lopsided house in rural Aberdeenshire, navigating his way through shifting phases in …
Album Review: Flyying Colours’ new album ‘Fantasy Country’ is a smashing and cathartic dose of shoegaze sparkle
The anthemic and statuesque ‘Goodtimes’ kicks opens the doors of the new and blistering album ‘Fantasy Country’ by Melbourne band Flyying Colours. And what you get at the beginning is what you can expect through to the end of this extremely enjoyable and highly rewarding album. In ‘Goodtimes’ there is an amusing tension between the …
Album Review: The Bats’ Robert Scott and Dallas Henley release low-fi home recorded delight ‘Level 4’
As the main songwriter for the wonderful The Bats, Robert Scott needs no introduction (read my recent interview with him). Scott has partnered with Dallas Henley, Scott’s co-owner of an Art Gallery – Pea Sea Art – in Port Chalmers Dunedin, to release a very low-fi and extremely intimate collection of absolutely gorgeous songs. Both …
Album Review: Roof Beams’ ‘This Life Must Be Long’ is a raw and graceful journey
Roof Beams have recorded an album ‘This Life Must Be Long’ filled with the most beautiful and expressive tracks. The instrumentation is delicate, the vocals raw and emotive, clever intelligent lyrics and themes and the production unfussy and raw. The band is showcases the songwriting skills of Nathan Robinson who writes of the travails of …
Album review: Mapstation – ‘My Frequencies, When We’: playful, immensely thoughtful tronica
My Frequencies, When We may not flaunt its wares with garish insouciance; but like so many of the albums that end up welded to your turntable, it keeps on enticing you back for more exploration, further interaction. It occasionally raises a grin and equally occasionally, an eyebrow; it’s varied in its approach yet thoroughly cohesive. It’s an immensely thoughtful record
Album review: A. Smyth unveils the imposing and beautiful album ‘Last Animals’
‘Lost Animals’ by Irish artist A. Smyth has an intriguing mix of acoustic and electronic instrumentation that creates a delicate fusion between a folk songwriting tradition and more rugged indie rock roots. The golden thread throughout, though, is an ear for the sweetest of melodies and an indelible melancholia that permeates every track. The result …
Album review: A Winged Victory For the Sullen – ‘Invisible Cities’: thrilling set pushes way beyond polite ambience
Invisible Cities is an intriguing and challenging accompaniment to a multimedia work of the same name. It’s also a cracking record in its own right, which is beautiful and textural and also genuinely thrilling in passages, and proves that A Winged Victory For the Sullen are not content to sit inside the pocket of modern composition and await their tribute; but wish to push onwards, much further onwards.